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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "YouTube" Web site has Japan's broadcasters in a tizzyウェブサイトYouTubeには興奮状態の日本の放送者たちがいる 参考情報 拡散状況 関連ページ "YouTube" Web site has Japan s broadcasters in a tizzy ウェブサイトYouTubeには興奮状態の日本の放送者たちがいる 0 YouTube Web site has Japan s broadcasters in a tizzy 2006,07,01 Asahi 7/7 By Masuo Kamiyama ウェブサイトYouTubeには興奮状態の日本の放送者たちがいる 2006,07,01 週刊朝日 7/7 カミヤママスオ記 1 Since the end of last year, the number of Japanese Netizens visiting the "YouTube" site has gone through the roof. According to Shibuya-based Net Ratings, a firm that tracks Internet utilization, visitors leaped from 200,000 a month in December 2005 to 4.1 million by May 2006. 去年の終わり以来、サイト「YouTube」を訪ねる日本のネチズンの数は天井知らずに増加した。 渋谷を拠点とした、インターネットの利用状況を調査する会社・ネットレイティングスによると、ビジターは、ひと月あたり、2005年12月の20万から、2006年5月までに、4100万に跳ね上がった。 2 That latter figure correspondents for 9.68 percent of Japan s Internet users. Even more remarkably, the number of YouTube viewers in Japan, on a percentage basis, surpasses the 8.83 percent of visitors in the U.S. 上述のうち最後の数値は、日本のインターネットユーザーの9.68パーセットに相当する。 さらに注意すべきことに、日本でYouTubeを見る人たちの数は、パーセンテージを基準とすれば、合衆国におけるYouTubeビジター8.83パーセントを超過する。 3 "Considering that it s an English-language site, these figures are off the wall," Net Ratings President Masayuki Hagiwara tells Shukan Asahi (7/7). 「YouTubeが英語サイトであることを考えると、この数値はとんでもないものです」と、ネットレイティングスの社長・萩原正幸は週刊朝日(7/7)に語る。 4 Koichi Mizugami, who operates a site covering Internet trends called "All About IT Industries Trendwatch," attributes the site s popularity to its being full of stimulating visual contents, free, and easy to access using Japanese-language search engines. インターネットの動向を取り扱う「All About IT業界トレンドウォッチ」と呼ばれるサイトを運営する 水上浩一(ミズガミコウイチ)(*1)は、YouTubeの人気を、無料で、日本語対応の検索エンジンを使って簡単にアクセスできる、刺激的なヴィジュアルコンテンツでいっぱいであることによるものとする。 5 YouTube was launched in February 2005 by three former employees of PayPal. The site s "Broadcast Yourself" video contents are uploaded, and shared, between the users. Contents originating from Japan run the gamut of clips of the very first "Doraemon" animated cartoon (about the misadventures of a blue robot cat) first broadcast back in 1979, to the 1985 knife murder of Toyota Shoji President Kazuo Nagano, a notorious swindler, who was slain on live TV by two self-professed members of a right-wing group, as several dozen Japanese reporters and photographers stood by and clinically recorded the action. YouTubeはPayPalの元従業員3人によって2005年2月に発足した。 このサイトの"Broadcast Yourself(自分自身を放映する)"ビデオコンテンツはアップロードされ、ユーザー間で、共有される。 日本発のコンテンツは、かつて1979年に最初に放送されたアニメ漫画「ドラえもん」(青い猫型ロボットの災難を描く)のまさに最初の数話から、数ダースの日本人記者およびカメラマンが傍観し事件を冷静に記録し、テレビが生中継する中、自称右翼団体構成員2名により悪名高いペテン師の豊田商事会長・永野一男が1985年に刺殺された事件まで、あらゆる範囲に及ぶ。 6 Another segment shows former AUM Supreme Truth "guru," and current death row inmate Shoko Asahara, appearing in a variety show on the NTV network, in which he told viewers he habitually washed his hair using baby shampoo. This was the same man, mind you, who ordered his minions to release toxic nerve gas on the Tokyo subway system in March 1995. 別のものは、NTV放送網のバラエティーショーに登場している、オウム真理教の元「グル」にして現在死刑囚の麻原彰晃を見せる。バラエティーショーの中で彼は視聴者に、彼はいつも自分の髪をベビーシャンプーを使って洗うと語る。 念のためにいうが、この男はまさに、1995年3月に東京地下鉄網に有毒神経ガスを放出するよう彼の手先に命令した男と同一人物なのだ。 7 But Shukan Asahi was surprised to see that some of the YouTube contents was quite current. A video clip corresponding to one of the stories, carried on its pages just one week before, was being flaunted as "proof" that Liberal Democratic bigwig Shinzo Abe, the top contender to succeed Junichiro Koizumi as Japan s next prime minister this autumn, had sent a congratulatory cablegram to the Unification Church. しかし週刊朝日は、YouTubeのコンテンツのあるものはきわめて最新のものであることを知って驚く。 たった一週間前に週刊朝日の紙面に掲載された、記事の一つに対応するビデオクリップが、この秋日本の次期首相として小泉純一郎の後任になる最有力候補者の、自由民主党の大物・安倍晋三が、統一教会に祝電を送ったことの「証拠」として堂々と見せられている。 8 On another, er, note, YouTube viewers can also see, and hear, Larry King release gas from his posterior live on CNN. べつの、えーと、音声では、YouTube視聴者はまた、ラリー・キングがCNNの生番組で臀部からガスを放出するところを、見て、聞くことができる。 9 The Japanese media, sensing its proprietary material is being illegally reproduced, appears to be swiftly abandoning its heretofore hands-off position toward YouTube. NHK recently contacted the site s operators to demand that a video clip of the children s song "Supu no Ekaki Uta" that had been broadcast on May 30 installment of the "Okasan to Issho" TV show, be removed. 日本のメディアは、自分が所有権を持つものが非合法的に複製されていることに気づき、これまでのYouTubeに対する無干渉主義を迅速に中止しているようだ。 NHKは最近このサイトの運営者に、テレビ番組「おかあさんといっしょ」の5月30日放送分で放送された、子供の歌「スプーの絵描き歌」のビデオクリップの削除を要求するために、連絡を取った。 10 Indeed, a perusal of YouTube now displays the words "This video has been removed at the request of copyright owner Japan Broadcasting Corporation because its content was used without permission" in red letters, enclosed within a red border. 実際、YouTubeをよく見ると今は、「この動画は、内容が許可なしに使用されたため、著作権保有者である日本放送協会の要求により、削除されました」という言葉が、赤い文字で赤いふちに囲まれて、表示されている。 11 However, the same video soon popped up on a different site, and NHK has been forced to play a game of hideand-seek --- or perhaps blind man s bluff might be more descriptive --- with Web pirates. しかしながら、同じ動画がすぐに別のサイトに現れて、NHKはかくれんぼ遊び --- もしくは目隠し鬼のほうがより説明として適っているかもしれない --- を、ウェブの著作権違反者とせざるをえなくなっている。 12 "Piracy of web contents, both in Japan and abroad, has been increasing recently," an NHK spokesperson tells Shukan Asahi. "NHK devotes time to confirming these violations one by one, and requests their removal. Even if extra efforts are involved, we believe that it serves as a discreet means of preventing illegal use of program contents." 「ウェブコンテンツの著作権侵害は、日本でも海外でも両方、最近増加しています」と、NHKの広報の人は週刊朝日に語る。 「NHKはこれらの侵害を一つ一つ確認するために時間を使い、それらの削除を要求します。 たとえ余分な骨折りが伴っても、これは番組内容の不正使用を防ぐ分別のある方法として役目を果たす、ということを私たちは信じます」 13 Japan s commercial channels are also becoming increasingly flustered by such purloining of images. A spokesman for the NTV network tells the magazine it is determined to go after offenders, even those operating outside Japan. 日本の民放もまた、前述のような映像を盗む行為のため、次第に落ち着きを失ってきている。 NTV放送網の広報の人はこの雑誌に、違反者を、日本国外で行っている者たちも、追い求めると決意していると語る。 14 "It s practically impossible to track down all copyright offenders," a spokesman for the Fuji TV network tells the magazine. "Our hands are already full just with domestic violators." 「すべての著作権侵害者を見つけ出すことは、実際には不可能です」と、フジTV放送網の広報の人は週刊朝日に語る。 「私たちはすでに国内の侵害者だけで手一杯です」 15 One of Japan s top promoters of showbiz talent, Johnny s Jimusho, the office of Johnny Kitagawa, said it is mulling legal action to make sure its performer s rights are not infringed upon. A spokesman for the agency said it was determined to "root out" YouTube and similarly predatory web sites. 日本のショービジネスタレントのトッププロモーターの一つで、ジャニー喜多川の事務所・ジャニーズ事務所は、事務所のタレントの権利が侵害されないことを確実にするための法的措置を、じっくり考えている、といった。 この事務所の広報の人は、ジャニーズ事務所は、YouTubeと、同様に利益をむさぼるウェブサイトを、「根絶する」ことを決心しているという。 16 Still, tracking down violators is in some ways akin to hunting for a needle in the proverbial haystack. YouTube is said to receive some 35,000 new submissions per day. とはいえ、侵害者たちを見つけ出すことは、ことわざにある干草の山の中から一本の針を見つけ出すことにいくつかの点で似ている。 YouTubeは一日ごとに新しい投稿を35000くらい受け取っているといわれている。 17 If networks find it so annoying to see their lowbrow contents being recycled on the Web, perhaps the only solution will be for them to cease broadcasting it. もしテレビ放送網が、かれらの低俗なコンテンツがウェブ上でリサイクルされていることを見ることを、そんなに迷惑に思っているなら、おそらく唯一の解決策は、かれらが放送することをやめることであろう。 18 "Once, TV would broadcast a segment and that was the end of it," recalls a program director. "But now things have come to the point that anybody can watch things anytime and anywhere. This is creating a sense of alarm among the people on the production side and can be expected to impact on programming quality. To discourage lowbrow piracy, it might be better for us to try to improve, even slightly, the type of programs we air on a daily basis." (By Masuo Kamiyama, People s Pick contributor) 「かつて、TVは放送すればそれでお仕舞いでした」と、ある番組ディレクターは思い起こす。 「しかし今事態は、誰でもいつでもどこでも見れる、という状況になりました。 こうして製作側の人々の間に危機感が生まれていて、番組制作の品質に影響を与えることが期待できるかもしれません。 低俗な著作権侵害を阻止するために、たとえわずかでも、毎日放送している番組の質を向上させようとすることが、私たちにとってより良いのかもしれません」(カミヤママスオ記・人々が選んだ寄稿者) 19 July 1, 2006 2006年7月1日 参考情報 水上浩一 http //allabout.co.jp/gm/gp/21/ 拡散状況 fuckedgaijin 部分転載：http //www.fuckedgaijin.com/forums/showthread.php?t=15414 Japundit 部分転載：http //blog.japundit.com/archives/2006/07/04/2949/ 英語サイト 部分転載：http //chosaq.net/archives/2006/07/japanese-content-industry-against-youtube.html 部分転載：http //www.cosmicbuddha.com/blog/archives/2006/07/promoting-decay.html http //www.runboard.com/bcjkdramasincalifornia.f6.t168461 部分転載：http //sparkplugged.net/2006/10/japanese-broadcasters-dont-like-youtube/ http //www.trap17.com/forums/youtube-Web-Site-Japan-s-Broadcasters-Tizzy-t38488.html 部分転載：ｈｔｔｐ //www.wretch.cc/blog/gakinme/3326573 Blogger 部分転載：http //magnoysamsara.blogspot.com/2006/07/youtube-web-site-has-japans.html 関連ページ Blogger Japundit WaiWaiの記事を転載した英語サイト：R fuckedgaijin 毎日新聞英語版から配信された記事2006年
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "It's a dirty, dirty, DIRTY job but some B-star's gotta do it"「汚い汚い汚い仕事、それでもB級女優はやらざるを得ない」 拡散状況 関連ページ "It s a dirty, dirty, DIRTY job but some B-star s gotta do it" 「汚い汚い汚い仕事、それでもB級女優はやらざるを得ない」 転載：http //www.newbukkake.com/bukkake-star-schools.html (リンク先はアダルトサイトなので参照注意) By Mr. Connell November 28, 2003 ライアン・コネル （2003年11月28日配信） Japanese porn s leading ladies may find their chosen career a lucrative one, but countless more women struggle along in the jizz biz, treated little better than animals for little more than peanuts, according to Shukan Taishu (12/8). 「週間大衆」(12/8)によると、日本の一流ポルノ女優たちは、彼女らの選んだ仕事は実入りのよいものだと思っているかもしれないが、数え切れないほどずっと多くの女性たちは、“精液ビジネス”の中でもがいている。彼女らの扱いは動物よりマシな程度、稼ぎは無いよりはマシな程度なのだ。 Ayu Nagashima is a veteran bit-part adult movie starlet who knows what it s like to battle through a day s work covered in sweat and other less pleasant bodily fluids. ナガシマ・アユはアダルトビデオのベテラン端役女優だ。彼女は、汗と、もっと不快な体液にまみれた日々の仕事を戦い抜くということがどんなことかを知っている。 "Honestly, it feels like being dumped in some dirty, stinking clag. When one after the other somebody is shooting semen in your mouth or up your nose until your entire face is covered feels absolutely awful," Nagashima tells Shukan Taishu. "And, when it dries, it gets all sticky." 「正直、汚くて臭い泥の中に放り込まれてる気分です。次から次へと、誰かが精液をかけるんだから。口とか、鼻とか、最後には顔全体を覆うまで、本当に嫌な気分です。乾けばベタベタするし」とナガシマは週刊大衆に語る。 Nagashima struggled when first initiated into the world of facials. この“顔射”(*1)の世界に入ったばかりの頃、ナガシマは苦しんだ。 "I wanted to try out working in lots of different genre, so went into it (the fist time) with an open mind. When I got to the shoot, it was really dark and there were about 20 soup men (the name given to the industry s professional ejaculators) standing around silently. Rather than being AV, it was more like an animal being surrounded," the bit-part starlet, says. 「たくさんのいろんなジャンルを試したかったから、（最初は）偏見なしで飛び込んでみたの。 顔射ものにとりかかったときは、本当に暗い場所で、そこには20人ぐらいの“汁男”（業界のプロの射精担当はこう呼ばれる）が、ぐるっと黙って立っていた。 AVをやっているというより、包囲された動物にずっと似ていた」 As Nagashima turned her face skyward, the soup men deposited their sour milk on her puss. ナガシマが顔を上に向けると、汁男優たちがイヤな汁を顔に向かってにかけるのだ。 "The reek of the semen was so overpowering. Some of the film crew had to rush outside for a breath of fresh air," she says. 「精液の悪臭がものすごかった。いい空気を吸いに外へ駆け出ないではいられない撮影スタッフもいたぐらい」と、彼女。 When finally allowed to shower, a different warm liquid began rolling down her face as she cried. 最後にシャワーを浴びられるようになったとき、彼女の顔には別の暖かい液体が流れ始めた。泣いていたからだ。 "I was ashamed to be a woman," she tells Shukan Taishu. "I headed for home and was bawling my eyes out on the train station platform when I saw all the soup men heading in my direction. I thought they were going to get me again, so ran away as fast as I could." 「女でいることが恥ずかしかった」彼女は週刊大衆に語る。 「家に向かってると、汁男がみんな私のほうに来るのを見て、駅のホームで泣き叫んだの。 彼らがまた私を苦しめようしていると思って、それで全力で逃げた」 Eri Misaki also speaks of the humiliation and degradation she puts up with in her chosen line of work. ミサキ・エリも、彼女が選んだ仕事の中で耐えている、屈辱と不名誉について話す。 "For a leading lady, you might take two whole days to make one film, but for us bit-players it s usually three movies in a day. You might start in the morning filming a groping movie on the trains, spend the day on a fetish shoot and then do an S M flick at night. It s a hard schedule, but you ve got to stick with this to survive," Misaki tells Shukan Taishu. 「売れっ子の場合、一本撮るのに丸二日かかるの。でも、私たちのような端役だと、一日三本が普通。 朝から車内での痴漢物を撮り始めて、昼はフェチ物の撮影、で、夜はSM作品。 ハードスケジュールだけど、生活のために続けてる」ミサキは週刊大衆にそう語る。 Many lesser lights in the S M movie world collapse through exhaustion. Fear of death is an occupational hazard. SMの端役の多くは、極度の疲労でつぶれてしまう。職業上の危険として、死の恐怖があるのだ。 "If you re being tied up by members of the film crew it could be a bit hot. If you re hung up by a rope, there s a chance your limbs could be ripped off, or you could stop breathing," Misaki says. "With all the filming we have to do, it s easy to lose concentration, which opens the door to accidents. It is really terrifying." 「撮影スタッフに縛られるとヒリヒリするし、 ロープでつるされたら手足がもげるかもしれない、窒息するかもしれない。 私たちがしなきゃいけない撮影は、とても集中力を失いやすいの。それは事故につながるし、ほんとうに恐ろしい」 Few of the women taking on the unsavory bit parts on offer in the AV world are enrolled with talent agencies. Most find jobs by themselves. They help each other get work and often meet privately. アダルトビデオの世界で、不快な端役を引き受ける女性たちの多くはタレント事務所に属していない。 自分で仕事を見つけるのである。彼女たちは互いに助け合い、プライベートで会うことも多い。 Considering the relatively poor pay and undoubtedly atrocious conditions, it seems the only thing driving these women to do their work is the same hard-working attitude the Japanese were once famous for. 比較的安い賃金と、間違いなく劣悪な状況を考えると、彼女たちを仕事に駆り立てているのは、まさに、かつて日本人の誉れだった“勤勉さ”なのであろう。 "The tougher a job is, the more satisfaction you get when you complete it properly," Satsuki Mochida, who spent one of her recent movies being repeatedly sodomized, says. "If I was just a housewife, I don t think I d ever be able to get the same satisfaction out of my job." 「仕事がきついほど、きちんとやり遂げたときの満足も大きいんです。 自分がただの主婦だったら、仕事からこれほどの満足感は得られなかったんじゃないかな」 最近続けている同性愛物の撮影を終えて、モチダ・サツキはそう語る。 A bukkake star girl speaks out and tells what its like to be covered in cum and eat semen all day. Bukkake specialist Nagashima agrees. “ブッカケ”物の人気女優は、一日中顔を精液だらけにしたり、それを食べたりするのがどんな感じかを話す。 “ブッカケ”専門のナガシマは同意する。 "No matter what the job is, if you don t give your best, you d be fired, right? It s the same for an AV actress," the veteran supporting player tells Shukan Taishu. "To make sure that guys are going to be turned on by the movies I make, I ll give my all --whatever the role demands." 「どんな仕事でも、全力でやらなければクビでしょ？ AV女優でもそれは同じ。 自分の作品で男に興奮してもらうためには、全力を尽くす。役柄上、どんなことをやらされても」 ベテラン助演女優は、週刊大衆にそう語った。 Though it origniated and still enjoys immense popularity in Japan, the science of bukkake has produced several notable offshoots. American Bukkake, in particular, is seeing interst skyrocket as word of underground bukkake parties spreads. 日本で生まれ、大変な人気を誇っている“ブッカケ”の技術だが、これは注目すべき派生も生み出した。 特に“アメリカン・ブッカケ”は、ひそかに行われる“ブッカケ”パーティーが普及するなど爆発的な注目を浴びている。 拡散状況 Daze Reader 部分転載：http //www.dazereader.com/002079.htm 英語サイト 部分転載：http //www.allofem.com/news.php?Select=2003.11 部分転載：http //briandavidphillips.typepad.com/brian/2003/12/bukkake_perspec.html 部分転載：http //www.littlefriend.com/newbukkake/bukkake-star-schools.html http //www.newbukkake.com/bukkake-star-schools.html Blogger：その他 部分転載：http //liangmeimei.blogspot.com/2008/11/blog-post_5468.html 海外ブログ 部分転載：http //hi.baidu.com/avavav/blog/item/f4698234c688e7b6d0a2d35d.html 部分転載：ｈｔｔｐ //blog.sina.com.cn/s/blog_5c56af7c0100axo8.html 日本色情女星自曝拍片内幕 拍摄过程恶心恐怖 部分転載：http //bbs.gxbs.net/showtopic-42937.aspx 部分転載：http //news.tom.com/1006/20031128-483668.html 関連ページ Blogger：その他 Daze Reader WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：B 元記事一覧 毎日新聞英語版から配信された記事2003年 海外ブログに記事が及ぼした影響 記事が及ぼした影響
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!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN""DTD/xhtml1-transitional.dtd" !-- Japanese Translated by Testing Engineer s Forum (TEF) in Japan, Working Group of TestLink Japanese Translation Project -- html xmlns="http //www.w3.org/1999/xhtml" lang="jp" head meta http-equiv="Content-Type" content="text/html; charset=UTF-8" / meta http-equiv="Content-language" content="jp" / meta name="author" content="Martin Havlat" / meta name="copyright" content="GNU" / meta name="robots" content="NOFOLLOW" / title TestLink Instructions /title style media="all" type="text/css" @import "../../{$smarty.const.TL_THEME_CSS_DIR}testlink.css"; /style script type="text/javascript" src="../../javascript/testlink_library.js" /script /head body div class="workBack" h1 テスト仕様の印刷 /h1 h2 目的 /h2 p この機能は各々のテストスイート、またはテストプロジェクト/テスト計画全体のテストケースを印刷できます。 /p h2 やってみましょう！ /h2 ol li p すべての参照できるテストケースが該当するテストケース、またはテストスイートをクリックします。 br / /p /li li p ナビゲーションシートの「印刷オプション」テーブルにて印刷データの範囲とフォーマットを設定します。詳しくは span class="help" onclick="javascript open_popup( ./printFilter.html );" ヘルプ /span を参照してください。 /p /li li p ブラウザの印刷機能にてテストケースを印刷します。 br / i 注意 印刷できるのはブラウザの右側のみです。 /i /p /li /ol /div /body /html
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リンク HTMLクイックリファレンス http //www.htmq.com/index.htm HTML5ゲームフレームワーク http //blog.verygoodtown.com/2011/02/limejs-html5-game-framework/ HTML5でゲーム作成 http //cnut1024.wiki.fc2.com/ SEO対策 http //seo.acnf.org/ http //www.d3.dion.ne.jp/~jkondou/hp/css_seo.html G123、事前受付登録中の「クイーンズブレイドリミットブレイク」にてAmazonギフト券が当たるフォロー&RTキャンペーン開催 - ASCII.jp HTML5 プロフェッショナル 認定試験 レベル1 想定問題 一覧 (1) - マイナビニュース [実力試し] HTML5 プロフェッショナル 認定試験 レベル2 想定問題 一覧 (1) - マイナビニュース HTML5ベースのMMORPG「MAD WORLD」のαテストが実施中。PCブラウザですぐに参加可能 - 4Gamer.net W3C／HTML5からWHATWG／Living Standardへ、Web発展史をひもとく - ITpro 「Macでリモートアクセス」に対応、Windows 365やシン・テレワークシステムHTML5版の魅力 | ボクシルマガジン - Beyond（ビヨンド） 「シン・テレワークシステム」にHTML5版 ～MacやChromebookからもWindowsをリモート操作可能に - 窓の杜 拡張機能が動かなくなるかも？ 「Google ドキュメント」がHTML5 Canvasベースのレンダリングへ移行 - 窓の杜 新作HTML5ゲーム「邪神ちゃんドロップキックねばねばウォーズ」が配信開始。レアリティS“水着ぴの”がもらえる初心者ミッションを開催中 - 4Gamer.net AWS Elemental MediaLive が HTML5 モーショングラフィックスオーバーレイのサポートを開始 - amazon.com HTML5ベースのモダンブラウザーからリモート操作が可能に、「TeamViewer」にWebクライアント - 窓の杜 GMOメディア：HTML5ゲームプラットフォーム「ゲソてん byGMO」、「楽天ポイントモール」の利用者に向け38タイトルを提供開始 - PR TIMES 第4回専門学校 HTML5作品アワード、受賞作品の発表 - valuepress HTML5に完全対応 アドビ社製Webセミナーシステムの最新バージョン『AdobeConnect11』を提供開始 - アットプレス（プレスリリース） GMOメディア：HTML5ゲームプラットフォーム「ゲソてん」、ゲームコンテンツ提供先の20媒体において「PayPay」決済に対応 - PR TIMES HTML5ベースの韓国産2D MMORPG「MAD WORLD」の最新画像とムービーが公開 - 4Gamer.net Flashを使用している企業に朗報！Flashを簡単にHTML5で再生可能にするサービス『JswfPlayer』Ver2がリリース！ - PR TIMES SL ジャパン、HTML5 に対応した監視制御システム (DCS/SCADA) 向け SL-GMS Web/Developer 新製品をリリース - valuepress HTML5ゲーム「八男って、それはないでしょう！アンサンブルライフ」の正式サービスが本日開始。テレビアニメ版がベースの放置型MMORPG - 4Gamer.net TVアニメの新作HTML5ゲーム『八男って、それはないでしょう！-アンサンブルライフ』本日より正式リリース！記念イベント絶賛開催中！ - PR TIMES アスキーゲーム ガンダムRPG『SDガンダムオペレーションズ』がHTML5軽量化アップデートを実施！ - ASCII.jp 神社経営シミュレーション「かみてる」がHTML5ゲームプラットフォームOhSECHIで配信開始 - 4Gamer.net 人気TVアニメの新作HTML5ゲーム『八男って、それはないでしょう！-アンサンブルライフ-』事前登録受付開始！ - PR TIMES 文系でもできる！HTML５とCSS3の超らくらく入門講座 2020年版 - PR TIMES YouTubeがFlashを排除し、HTML5の最後の障害を取り除いた - 週刊アスキー - 週アスPLUS バンナム、HTML5ゲームの「enza」運営元を完全子会社化 ドリコム保有株買い取り - ITmedia G123で新作HTML5ゲーム『セルリアンホライズン』正式リリース！事前登録報酬は28日にプレゼント！ - PR TIMES GMOメディア：HTML5ゲームプラットフォーム「ゲソてん」、ポイントサイト「モッピー」に『ゲゲゲの鬼太郎 妖怪横丁』など20タイトルを提供開始 - PR TIMES シンプルで安価なマルチデバイス対応HTML5デジタルカタログ制作サービスを提供開始 - PR TIMES スマホゲーム開発者向け書籍「HTML5 ゲーム開発の教科書」が9月中旬に発売 - 4Gamer Adobe FlashをHTML 5で代替するPixi.jsがWebGLを新たにサポート、クロスプラットフォームとインタラクティブアプリに対応 - InfoQ Japan HTML5版「刀剣乱舞」をサポートした「とうらぶキャプ」v2.0.0が公開 - 窓の杜 HTML5ゲームポータル「楽天ゲームズ」終了 2年で幕 - ITmedia NEWS HTML5ゲーム『ガールズ＆クリーチャーズ』ホワイトデーイベント開催！期間限定キャラクターを解禁！ - PR TIMES HTML5ゲームプラットフォームをてがけるLiberappは「HTML5 スマホゲーム業界カオスマップ（2019β）」を公開しました - PR TIMES Liberappが「HTML5 スマホゲーム業界カオスマップ（2019β）」を公開 - 4Gamer.net スマートニュース、優れたHTML5技術を持つ『Tombo, Inc.』を買収 - PR TIMES HTML5 GameCreatorというコミュニティー＆ミートアップをはじめます - PR TIMES あなたはどっちサイドを選ぶ？G123新作HTML5ゲーム『ガールズ＆クリーチャーズ』正式リリース！ - PR TIMES 「Webは次のギアにシフトしている」〜HTML5 Conference 2018 基調講演レポート：レポート - Gihyo Jp HTML5ベースで描画速度が向上、BIダッシュボードの最新版 - ＠IT MONOist 時空を超えて、世界を救え！新作HTML5ゲーム『ナイトメアクロノス』事前登録受付開始！ - PR TIMES 国内最大級のHTML5ゲームサービス「G123.jp」が本日10月4日(木)オープン！ - PR TIMES 国内最大級のHTML5ゲームサービス「G123.jp」オープン！新たなゲームプラットフォーム誕生・10月は新作ゲーム3本登場 - アットプレス 技術の進化に左右されないWebサイトの作り方がわかる、プロを目指す人のための入門書『HTML5＋CSS3の新しい教科書 改訂新版 基礎から覚える、深く理解できる。』発売 - PR TIMES 「艦これ」Flash→HTML5に 大規模メンテスタート - ITmedia 「艦隊これくしょん -艦これ-」がHTML5ベースに移行。8月15日11：55から3日がかりの大規模なメンテナンスを実施 - 4Gamer.net LINE上でHTML5ゲームが遊べる「LINE QUICK GAME」 たまごっち、ナンプレも - ITmedia HTML5ゲームにもeスポーツの熱狂を。 Liberappに観戦APIとデモゲームを追加 - PR TIMES BXD、HTML5プラットフォーム名称を「enza」に--新作ゲーム3タイトルを体験 - CNET Japan バンナム、HTML5活用の新作ゲーム「アイドルマスター シャイニーカラーズ」発表 - CNET Japan HTML5アプリプラットフォームのスタートアップ企業「Liberapp」設立と増資および仮想通貨「リベリウム」でICO検討開始のお知らせ - PR TIMES 株式会社レコム、HTML5ゲーム【iKON COLLECTION HIDDEN CATCH】のセールイベントを開催! - PR TIMES 株式会社レコム、レコム、HTML５ゲーム市場に挑戦! - PR TIMES HTML5を巡るGoogle、Apple、Microsoftの戦略の歴史 - ITmedia 【黒川塾51】HTML5ゲームとクラウドゲームでゲームコンテンツはどうなる？ - Game Deets 「BXD」が狙うHTML5活用ブラウザゲームの需要--ファミスタ、アイマス新作を投入 - CNET Japan コレ1枚で分かる「HTML5（2） マルチデバイス時代のアプリケーションプラットフォーム」 - ITmedia HTML5の機能をどこまで活かせるか--新日鉄住金ソリューションズの「hifive」で実現できること - ログミー 「Google Chrome 56」が正式版に。HTML5デフォルト化がすべてのユーザーを対象に開始 - 窓の杜 「Google Chrome」のHTML5デフォルト化が開始。脱Flashの流れが加速 - 窓の杜 Chromeブラウザの“Flash→HTML5デフォルト化”完了は2017年10月 Googleがロードマップ発表 - ITmedia あきらめていたFLASHありませんか？HTML5変換サービスのご案内 - PR TIMES HTML5はこれからのWindowsか？、普遍的なアプリケーションの普遍的な開発/利用ベースとして - TechCrunch Japan Google Chrome、Flashに代わってHTML5をデフォルトに - ITmedia モバイルファーストを牽引する HTML5によるハイブリッドアプリ - ZDNet Japan 5分でわかるActiveReports帳票－HTML5ビューワ (1/4)：CodeZine（コードジン） - CodeZine HTML5ベースのデスクトップクライアント：TechTargetジャパン用語事典 - TechTargetジャパン 仮想化 - TechTargetジャパン HTML5でクロスプラットフォームなデスクトップアプリを開発できる「Electron」とは - CodeZine FirefoxブラウザとWebの技術ですぐ作れる！ HTML5で手軽にFirefox OSアプリ開発 - CodeZine YouTube、デフォルト動画プレーヤーを「Flash」からHTML5ベースに変更 - CNET Japan YouTube、メイン再生プレーヤーをFlashからHTML5にようやく移行 - ITmedia YouTube、従来のFlashに代わってHTML5をデフォルトに - AV Watch ついに正式勧告--「HTML5」を使いこなすには何が必要か - builder by ZDNet Japan - ZDNet Japan HTML5がW3C勧告に、15年ぶりの大改訂 - ASCII.jp 「HTML5でスマホとクルマを簡単につなぐ」――韓国Obigo社のハンCEOインタビュー - business network.jp HTML5 CanvasをjQueryライクに操作できるプラグイン「jCanvas」 - CodeZine 広告のHTML5化加速か、Googleがインタラクティブ広告制作ツール「Google Web Designer」を無料提供 【増田 @maskin】 - TechWave（テックウェーブ） #WAVE サンプルで学ぶHTML5の仕様変更要素・後編 (1/3) - ASCII.jp HTML5は5.0へ、2016年にはHTML 5.1も登場か - ASCII.jp Flashを使わない3D絵本の作り方、HTML5/CSS3時代のコンテンツ作りについての雑感 【増田 @maskin】 - TechWave（テックウェーブ） #WAVE HTML5で作るスマホWebアプリ開発チュートリアル(3) HTML5ならではのグラフィックスを実現する「canvas」 - マイナビニュース Cloud SQLとHTML5のWeb Storageで高速仕訳入力 - CodeZine HTML5によるアニメーション作成を容易にする「Adobe Edge」 - builder by ZDNet Japan - builder HTML5のタグに対応したHTMLエディター「Crescent Eve」v0.86が公開 - 窓の杜 50代でも分かったHTML5の基礎知識 - ASCII.jp 3分でわかるHTML5のコンテンツモデルとカテゴリー (1/3) - ASCII.jp Google、Chrome立ち上げ3周年でHTML5のインフォグラフィックを公開 - ITmedia XHTML1.0とHTML5の違いをスタバのページで紹介 (1/6) - ASCII.jp Google、FlashをHTML5に変換するツール「Swiffy」を公開 iOSにも対応 - ITmedia 第512回：HTML5 とは - ケータイ Watch HTML5で注目！インラインSVGの使い方 (1/5) - ASCII.jp W3C、HTML5ロゴを発表 - ITmedia W3C、HTML5ロゴを発表--HTML5推進を目指す - CNET Japan iOS向けゲームが15分で開発できる、高速HTML5ゲームエンジン「IMPACT」登場 【増田(@maskin)真樹】 - TechWave（テックウェーブ） #WAVE HTML5が注目を浴びる理由とは？ ここが違う！サンプルで見るHTML5（1） - CodeZine AppleがiPad/iPhoneでも見られるHTML5ショーケースを公開 (追記あり)【@maskin】 - TechWave（テックウェーブ） #WAVE HTML5は安全か？ 開発者が留意すべきセキュリティ問題 - ITmedia Google、HTML5へのシフトで「Gears」終了へ - ITmedia YouTube、HTML5動画プレーヤーをテスト公開 - ITmedia
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このページ名（Name of this Page）→【議論メモ-Media Interactive】 メニューMENU? この内容は、過去のwikiの内容です。 Most of the contents of thie page is from pervious wiki. The direction of wiki maybe already altered. Problems of deletion of video and reuploading of video are under investigation. 動画の削除問題及び転載問題は、現在調査中です。単純な動画復活キャンペーンは、もう行っておりません。 This page is under construaction. (このページは現在作成中です。) [#comment(size=65) 名前 コメント
https://w.atwiki.jp/mediasenterenglish/pages/15.html
Information literacy education If it is the purpose to bring up those who live in this time when computerization is progressing, information literacy education is required. Capability of information literacy is made into the capability "which can recognize it, can discover required information effectively, and can be evaluated and used when information is required" in the report of American Library Association (ALA). In order to perform information literacy education, the present school library considers me first that it is required to perform environmental management for it. It is various substantial media. In enriching various media, taking in the media suitable for the juvenile student s curriculum and the actual condition thinks that it is asked. It is important to choose media and to enrich them, taking the needs of a juvenile student or a teacher into consideration. First of all, it is necessary to grasp how the juvenile student s curriculum is constituted. It is important to choose the data which can compensate the contents with on top of that, and can be developed on top of that. That is, it is required to make it substantial, discerning the characteristic of not only a pencil press but audiovisual media and electronic media. And it is important to stand the prediction about being what catches analytically what [ not a passive posture but ] is used how, and is asked for what in it. Moreover, probably about the information as a flow, it seems that there is nothing exceeding the Internet. As a place which performs investigation study and information literacy education, it is also important for the Internet to improve the equipment environment which can be accessed easily. The environmental management which can respond to digitization of information is called for. It can be said that the education of old our country was a knowledge transfer type. The blackboard was copied for the note, and though only the information which a teacher emits was counted on, it was not troubled by the entrance examination of a high school or a university. Greater importance has been attached than to studying something spontaneously to the study for acquiring knowledge required for taking an examination. the academic ability for me to be asked for a high school entrance examination or a university entrance examination even now changed a lot, even if some change was in the situation of being the quantity of knowledge -- as -- I cannot consider. In order for oneself to select what is studied how, choosing, comparing information, and also collecting, evaluating to it is called for. And various media are fixed in a school library and backing up a juvenile student s study simultaneously with it thinks that it is asked. Business solution study "Business solution capability" is positioned as "power of living" by the present school education, and the training has become one of the problems of the utmost importance involving the education of our country. With the passive study form of memorizing the knowledge transmitted from a teacher who mentioned previously, or the textbook, acquisition and improvement are difficult for "business solution capability." For acquisition or improvement, a subject may be found itself, it may be solved, it works, and it will be got blocked and "business solution study" will say that it is important. In the present school education, many of "business solution study" is performed in hours of comprehensive learning. And I think that "business solution study" is able to carry out almost simultaneously with information literacy education. It is because it can expect using a school library when collecting information. Then, performing use instruction and the capability to process information appropriately while actually searching for information and discovering and using information cultivate. Moreover, therefore, it is needless to say that a school library teacher-librarian s skill is needed. The above thing shows that information literacy education and business solution study are closely related. Maintenance for a learning information center to function as a place which learns these thinks that it is asked in the present school library. It is not that a teacher and a textbook supply a target information on the other hand, and future education needs to be performed under the circumstances where required knowledge and information can be acquired from a student s active volition according to a student s capability. Therefore, it is necessary to improve the future school library to be able to utilize knowledge and information to the extent that it exceeds a student s volition. And irrespective of a lesson, it is important as a future school library media center to become a place which will be utilized if there are a juvenile student s wanting to know some and anything to investigate.
https://w.atwiki.jp/touhoukashi/pages/2465.html
【登録タグ 3L L NJK Record TOHO EURO FLASH Vol.1 maria♂polo 曲 神さびた古戦場 ～ Suwa Foughten Field】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/lillian7887/pages/10.html
Some people love being in the center of attention; for some, that comes naturally. Some might say it s easy to be the main star at social events. They think that just creating drama is enough. Well, it surely helps, but that s maybe not the kind of attention you d had in mind. People who don t like being the leading star of gatherings often turn to online dating. There s no need to compete for attention. People are chatting one on one. That s how almost every relationship online starts. It s easier to thrive in a secure place such as an inbox or a chat room. But, the time will come when they ll have to leave their shells; maybe a breakup will force them to go outside and mingle. And that s when the competition for the attention of the opposite sex starts. It s ruthless out there, and one must be ready. There are a few things to keep in mind if they want to shine the brightest. Everybody gets what it takes to be an absolute master in grabbing others attention. Just follow some simple rules we collected to help out. Have a Unique Profile Description on Dating Sites Getting attention is impossible for those who are the same as everybody else. Most people on dating sites have similar photos and boring profile descriptions. That doesn’t get them much attention because no one remembers them after browsing their profile. To get noticed on https //www.quickflirt.com/, take a different approach than everybody else. Upload a photo that will make people stop browsing and send you a message. Someone is online 24/7 on the site, so your profile can grab attention even while you’re sleeping. Let Everybody Know You Are Kinky It doesn’t matter if you’re flirting in person or online you have to show you’re kinky. Everybody likes that (even people who pretend they don’t). One of the easiest ways to show you love experimenting in the bedroom is by mentioning sex toys. People love trying new things. Routine is good, but it can be a killer in a bedroom. Take the lead in conversation and stir it in the bedroom direction. Casually mention what you prefer. Someone will catch that spark in your eye and continue the conversation while other people listen carefully. Be the First to Approach Other Singles while With Friends Few things are better than hanging out with friends. One of the better things is showing confidence while in a group of friends. How? If there s a single girl, usually, people don t approach them in front of friends because they fear they ll get turned down and be embarrassed in front of their crew. And singles know that; we ve all been there before. But, if you take a deep breath and go for it, that shows you have more confidence than a regular person. Also, look at the envious faces of your friends. Come up with a funny line, compliment their looks, smile, and watch singles melt in front of you. It s a win-win. Focus on One Person in the Group This one is a classic. Stay in disguise in a bar or a restaurant and observe. Try to figure out who s single in a group and begin your mission. Lock them with a meaningful stare (don t push it too hard, you may look like a psycho), smile, raise a glass for them, maybe even throw a wink there. At first, a person may feel shy or be in shock - after all, you are flirting shamelessly while they re in a group of friends. Then, watch their behavior change. They ll throw a shy wave or a small smile. Read their body language. Once you re sure you are getting the same signals you ve been sending, act. Approach them, knock them off their feet with a funny joke and confidence when you ask them to grab a drink with you. Nothing beats a brave lion or lioness. Be Loud (But Don’t Be Too Loud) The simplest way to grab someone s (or everyone s) attention is by being loud. When you hear a joke, laugh out loud. But be careful; no one wants to hear hyenas unless they re in savannah. Be moderate, like in everything in life. Tell an interesting story, and when you want to emphasize something brave, important or funny, say it a little louder. Grabbing the attention of others is your main goal. In a quieter room, everybody will instinctively turn towards the sound source. Moderation is the key. Don t be too loud, don t be too quiet. Balance it out. Feel the room and the atmosphere. Trust your guts; they re rarely wrong. With a little bit of practice, everything is possible. By following these simple tricks and tips, you ll grab people s attention just by walking into the room. Online dating is a great place to try out some of your jokes and approaching styles. If a relationship happens online, great. Ask the person out and put your skills to the test. It s not that hard. Put a smile on your face, take a deep breath, and jump into it.